Image Credit: szeke | Flickr

Did you know that there is memory bias? That is, memory can be changed, boosted, or impaired. So, if this is the case: What makes building occupants form stronger architectural memories than others?

Well, according to a Memory Bias article in Science Daily, there are many ways that memory bias can occur – but there are three main aspects. They are humor, positivity, and self-generated memories. Each of these latter aspects can boost memory in people. So, with this, I wonder how these play a role in architectural design.

After all, there are times where a design can be funny (or fun). There are times when a design can accentuate the positive over the negative. And there are times when a design can help an occupant self-generate information to Read more

Image Credit: Wolfgang Staudt | Flickr

A recent study was done, mentioned in The Economist article entitled Pricing and the Brain: Hitting the Spot, where actual changes within the brain occur that substantiate this: If told something is more valuable, then a person actually enjoys it more. As the article explains, there may be something to this involving expectation. So how does this relate to architectural design?

Well, what if upon entering a building, someone told you that it was designed by a very famous and prestigious architect? Do you think you would enjoy your experience within that building more than if you didn’t know this fact? Perhaps you would pay more attention to the building, its details, and engage with it more than if you had never known about its renowned creator. Would you take extra time while within the building to savor it? My guess is that the average person probably would.

But the implication of this notion of heightened perceived value affecting architectural enjoyment doesn’t end there. Read more

image: Incase Designs | Flickr

Productivity. Collaboration. Mobility. Globalization. Socialization. Culture.

Such are the buzz-words which describe the more modern workplaces of today. But where is this all going? And why?

One thing is for sure, computers are spreading. They seem to be everywhere. They’re getting smaller, more helpful and their interfaces are getting more intuitive. It’s no wonder that the surrounding environments which inhabit them now often allow for more mobility, productivity and collaboration.

But what about creativity? It’s an important factor — and one that should be addressed head-on.

I think that fostering creativity within office cultures is both fundamental, and too often under-emphasized and overlooked. After all, it is creativity that is the glue for so many office cultures today. Just think Google.

Within Google corporate cultures you can see how having a creative work office design literally feeds the Google work culture — ultimately leading to more innovation, better employee satisfaction, retention and outreach.

Here is a quick look around the Google Chicago office so you can get a glimpse of what I’m talking about (before I go on): Read more

An amazing new prototype called Siftables, developed at the MIT media Lab, merges the worlds of digital media and physical interfaces. The main idea behind them is to get virtual information into your hands (literally) by using a “block-like” natural interface that transcends beyond our prototypical mouse and keyboards. Siftables are designed to be more in tune with the way we actually navigate through the world.

Each Siftable is about the size of a “cookie” that works and feels like you are, in fact, playing with toy blocks. Each block can sense the others as they are moved around and tilted by their user. Essentially, this allows for a type of collaboration between the Siftables so they can work individually and together within their group’s system.

To see Siftables for yourself, simply watch the following video and imagine how Read more

As you design architecture, it is important to consider your occupant’s memory. You should consider not only what your occupants remember, but also how they remember.

Why?

Just after experiencing your building design, your occupant will be full of a large portion of the information they just absorbed. The memory of walking through your design will be fresh in their mind and the nuances about their experience will be easy to recall. But, what do you want them to remember about their experience? Do you have any control over what they remember as a great moment? Do you want to have a say?

HOW OCCUPANTS REMEMBER

When your occupant processes an architectural “scene”, they actually dismiss a lot that they don’t think is important…. In the video below you will watch a scholar from Princeton University further explain that the brain uses processes (like shortcuts) to help people Read more

Image: Ethan Hein | Flickr

It’s hard to find a quiet place on earth anymore. Human-caused noise seems to be everywhere, and that’s because it is. (1) Our living environments are “soundscapes”, and “noise” quickly becomes a relative term.

Yes, your architecture greatly contributes to the “soundscape” that people experience. Sound within your building is greatly linked with functions going on within it, but what about the design of sounds that you purposefully inject and mold into your project?

WATCH OUT… SOUND CAN BECOME NOISE

For architects, it is common to be concerned with the elimination of sound, otherwise referred to as noise. Some hospitals are filled with noise that keep patients from sleeping “soundly” (pun intended) and some schools are bombarded by urban noise that interferes with learning.

For some, these are just manifestations of modern living — where there is a fine line between sound and noise depending on who and when is listening. For architects, closer attention should be given to this phenomenon.

TAKE CONTROL…DESIGN A SOUND SPECTRUM

As you design architectural complexes ranging from an urban master plan to an individual building project, you need to keep both sound and noise Read more

Image: Royal Ontario Museum | wvs | Flickr

Architectural psychology can be described as a branch of environmental or ecological psychology. This deals with the psychological processes of the interaction between man and his environment, as for example spatial perception, spatial thinking, orientation behaviour, or spatial experience, territorial behaviour, living requirements and satisfaction, local identity. (1)

When an occupant experiences a building, they immediately become involved in an array of overlapping processes that all contribute to their experience — architectural psychology focuses on such connections and can be applied to all building types.

A GOOD PLACE TO START

After my last post entitled Environmental Psychology: What Every Architect Should Ask Themselves, I received various questions from readers wanting to learn more. So, I began to look in the “not-so-usual” places. And then I came across this site at Read more

Image: Circotasu | Dreamstime

“Architecture arouses sentiments in man. The architecture’s task; therefore, is to make those sentiments more precise.”

– Adolf Loos

Architecture is like music, with ability to arouse specific emotions and other reactions at particular moments in time. To arouse sentiment is a delicate task, and the key is to engage occupants. Human mood, behavior and physiology will all benefit from such an awakening.

To arouse precise human sentiments, architecture must integrate features like timing, materiality, information and the designer’s intent — all in an effort to engage occupants. Not only should architecture awaken occupant emotion, but it should play a role in Read more

Image: patrick george | Flickr

“Architecture is basically a container of something. I hope they will enjoy not so much the teacup, but the tea.”

– Yoshio Taniguchi

This quote highlights why sensory design is indispensable. The act of enjoying the tea is fostered by the teacup just as sensory architecture enhances occupant experience. Both the teacup and sensory design must be sensitive to human needs.

With interactive design, a sensory teacup could integrate user sensory system factors like temperature and flavor. The same sensory teacup could also adapt itself to the particular tastes of each individual drinker. The sensory teacup could even adapt itself in real-time as its tea level decreases. And yes, the tea cup could even use technology to make the tea more physiologically healthy. In the end, this tea cup still exists to Read more

As architecture evolves by gaining renewed methods of interaction, I think it is good for architects to gain perspective from the field of interaction design. The following video reviews some key concepts that interaction designers use to execute their designs. Look out for the three leading questions that drive all interaction projects.

VIDEO REVIEW

Interaction design is defined by Wikipedia as the “discipline of defining the behavior of products and systems that a user can interact with”. In this video, Bill Verplank explains very clearly what Read more