
Diagram of red dot modules and lines of communication.
Image: Ethan Hein | Flickr
I am intrigued by this quote about modular design:
“A downside to modularity (and this depends on the extent of modularity) is that modular systems are not optimized for performance. This is usually due to the cost of putting up interfaces between modules.” (Wikipedia source here)
At first glance, modularity can give you ways to expand, re-locate or even provide for more mass customization opportunities within your work. And in some cases, modules can have such distinct characteristics that they actually serve to “brand” your work — if done well, this can be a good thing.
Yet, there is so much missed opportunity when it comes to the module. Instead of always trying to Read more

image: Manky Maxblack | Flikcr
What can flexibility do for you?
Let’s exaggerate for a moment and see if we can make what is flexible, even more flexible. The goal is to get you to push some design boundaries and of course, to use the idea of “flexible design” to get your architecture to that “cutting-edge”.
Of course, there is a find line between extreme flexibility and that ultimate point where something just breaks. But for now, let’s take a look at the following list which I’ve put together to get you thinking about how you can take full advantage of flexibility for your future designs.
The aim here is to design architecture that is both technologically, scientifically and aesthetically advanced, but to do this in a most humane and occupant-centered manner.
To get started, try asking yourself the following four questions and see if you can “strip away” what you take for granted to bring an innovative edge to your work: Read more
When You Think of “Skin”…What’s the First Thing You Think Of?
Have you ever compared building skin to human skin? Well, with new developments like nanotechnology, smart materials and ubiquitous computing the time is ripe to revisit the inner-workings of the human body’s largest organ. After all, there is much to learn by taking a closer look at what lies beneath its surface — particularly as it relates to architecture.
What do you typically think of when you think of “building skin”? Does it primarily function to keep the exterior outside and the interior inside? Or do you use it to bring the outside in within certain parts like windows, ducts and doors? Perhaps you have a more avant-garde way of working with “skin” — using it as part of your architectural language that allows your building to communicate with both its interior and exterior at the same time.
Wherever you may be in your ideas and way of designing building skin, I’m sure that the human skin can help to reinforce and spark new ideas for your architectural designs. You might be surprised to discover that there are many similarities between these two “skins”, and in essence, they are both there to protect and to communicate.
Can Human Skin Inspire Your Designs?
For starters, I want to show you this simple video that clearly shows how the human skin operates physiologically. Now is a good time to watch this sneak peek:
Notice any similarities between what human skin needs to do and Read more
How do you use color to “move” your occupant? Do you go beyond merely using it as a wayfinding technique? Or do you “paint” your three-dimensional space to lead your occupant on a journey that enhances the spirit of place?
As you will find within the following slideshow, color can be used within architecture in soul-stirring and innovative ways. Color not only engages a building occupant by making real the beauty of function, but also invites them “in” to truly “touch” a space — perhaps at first with their eyes, but then with all of their senses as color becomes much more when it meets the eye.
So, how do you use color to “move” your building occupants?
- By color coding ducts to reveal a building’s climate, electrical, plumbing and circulation arteries.
- By filtering and layering light to bring spirit to a place.
- By bringing unity and community to individual living spaces.
- By bringing “life” to meaningful memories.
- By allowing their eyes to “touch” a surface in ways their other senses cannot.
- By revealing the beauty of fluidity and rhythm.
- By mathematically coding the meeting of music, sculpture and a culture’s differing demographics.
Today, the spectrum between a part and its subparts can be vast and rather static, yet already, there are prototypes for architectural systems that can adapt to triggers to self-perpetuate their own form — and blur the boundaries between where their sub-parts begin and end. Such is the character of adaptive design.
As adaptive architecture evolves, systems will become more seamless and their behaviors will stream more fluidly. The idea of nesting, fusing and embedding behaviors into a design’s systems and sub-systems will require that you consider the in-between states of your form — slowing down real-time behavioral movements and speeding up that which appears to be standing still.
Of course, if you don’t have it already, this all will require a mindset shift from you, the designer; thus, calling upon you to think of Read more

image: phoosh | Flickr
As new emerging technologies surface, the idea of “transition” will take on entirely new form. Not only will “transition” continue to exist between building materials (like you see in buildings today), but “transition” will also be present within a material’s properties — changing the very nature of how a particular material behaves at any given time.
For instance, smart materials will be able to change in real time as certain variables like temperature, light or stress trigger them. Similarly, new sensing technologies will come together to yield smart environments where ubiquitous computing is tuned to give occupants a more personalized experience.
Furthermore, as nanotechnology and biomimetic systems rise into the forefront, you as an architect will need to consistently rethink how building materials typically function — by building for them from the bottom up.
The “rules” behind designing for material behavior are changing and new smart material systems will give you a new kind of flexibility which you can optimize by taking both function and form to entirely new levels.
A key to doing this is to rethink your notion of Read more

Image: thisisbossi | Flickr
Right-handers Influence Group Behavior Simply By Choosing a Seat
When designing audience seating within theaters or auditoriums, have you ever given specific thought to which seats will be used the most, and by whom? At first, it may seem strange to ponder such details when most of what you will need to do involves selecting the style of seats, specifying how many total seats you will need, designating which ones will be accessible, planning how they will meet egress requirements and making sure each seat position provides a clear view to the stage.
But, should everything be treated so generally? What about the differences in behavior exhibited by each person in the audience? Perhaps not everyone watches a performance in the same way.
Well, a researcher from Japan named Matia Okubo, published a psychology article describing and proving that right-handed persons, interested in paying attention to a film, will actually choose seats to the right side of the theater.
What do you think? Will such a seemingly miniscule characteristic make you think differently about how you design audience seating?
Individuals Make Up a Population, Design for Them.
There are almost innumerable times, as an architect, that you will need to make “small” decisions that affect a the entire collective group of your occupants at once. (Namely, I’m thinking of theater or auditorium seating arrangements, and school classroom student seating arrangements here.)
So, is it often that you think of your occupants in a “lump some” — rather than as individuals who happen to make up a collective?
Yes, negotiating that balance between a “population” and an “individual” can be a delicate thing to do. For instance, just like in the above theater example, school classroom design must also tailor to Read more

Can Music Increase Your Potential?
What role does music play in your work as an architect? Do you listen to it while you design? Or do you incorporate it into your architectural designs, for your occupants?
In an article recently published by The Boston Globe, Carolyn Y. Johnson writes about a surgeon who listens to music while he operates. Also, he is conducting various studies to really understand what effect music has on both doctors and patients. In addition to improving the results of surgery, he thinks music might also be used for other types of medical treatments. (1)
For example, while listening to Mozart, patients needed less sedation, had “reduced stress hormone levels and had lower blood pressure(s) and heart rate(s)” than those that heard nothing. Similarly, Mozart proved to be quite a success when measuring the performance of surgeons. Their accuracy was notably improved. (1)
Architects Take “Note”
This type of research will provide great information for architects to utilize for their work. Both in architectural offices and within architectural schools, you will most likely find Read more
Architects are constantly defying gravity. We built into and with the sky, and the way in which we engage it says a lot about our work. Building upward involves more than just getting your occupants to look up.
The following is a 10 image slideshow presented with hopes to inspire you to think about the sky creatively. These captured moments, ranging in complexity, illustrate just how delicate the balance is between our built forms and the sky which surrounds us.
Here are ten ways to built into and with the sky, to defy gravity and to help you design architecture that is more balanced, harmonious and awe-inspiring.
How To Build Into the Sky…
- Frame it, to capture your own horizons.
- Travel into it, provide activity from high above.
- Listen to it, through a funnel of flutes.
- Capture the sky and bring it to ground-level.
- Move downward, changing your “ground”. Peek up at it.
- Transition into the sky while writing in it.
- Lead the eye upward along a path.
- Move through it, like the wings of a bird.
- Build into it. Filter in all of its light.
- Remove boundaries. Blur the sky with your built form.
Please Tell Me What You Think
I would really like to get your feedback on my post today, so please leave me a comment in the form below. And if you enjoyed it, make sure you share it with your Twitter followers by “tweeting” it using the re-tweet button on this page.
2009 Has Been an Amazing Year
Sensing Architecture has had quite an amazing year in 2009. Really, this website was brand-new at the beginning of the year, in January. Ever since then, it has been rapidly growing and now its readership is exponentially compounding. Projected to reach approximately 20,000 visitors this month, it is safe to say that 2010 will hold great things in store for the Sensing Architecture community.
Readers range from architecture professionals, to architectural scholars to design enthusiasts. I continuously receive a wide range of reader insightful comments, questions, “thank-you” letters and e-mails asking for architectural design advice and reviews.
I am certainly encouraged by such a pro-active reader response!
Plus, I love working with all of you.
2010 Will Be Full of Nice Surprises
Already, there are a variety of plans in the works for Sensing Architecture in 2010.
For starters, I will be launching a free Report entitled Bringing Architecture to the Next Level. To make certain that you receive this, be sure to sign up for my free Sensing Architecture newsletter — you can sign-up using the simple form here. All newsletter members will be first to receive this free Report in late January of 2010.
For later in the year, I plan to introduce new content in varying media formats — which I think will be a rich addition to the site…particularly for those that like to learn in different ways.
Another goal on my 2010 plan is to add more community enhancements to increase member interactivity and lateral learning. This will be a very desirable addition as our community continues its rapid growth and healthy response rates.
There are, of course, more 2010 ideas brewing on my drawing board at the moment. Those, I will share with you in the future. But for now, I can tell you this…
This is only the beginning.
Please Tell Me What You Think
What do you think should be added to Sensing Architecture In 2010?
I would really like to get your feedback on the post today, so please leave me a comment in the form below. And if you are a reader that enjoys Sensing Architecture, please also tell me why — this will also tell me what works and what can be expanded upon in the year ahead.
Also, make sure you share this post today with your Twitter followers by “tweeting” it using the re-tweet button on this page.
























