I recently read an article by Seth Godin who describes a very powerful writing technique where an author takes a popular and widely used cliché, points it out in his or her work and then writes about its exact opposite. When done cleverly this can produce a very powerful result whether an author is trying to stir humor, thought, emotion or even trying to change a reader’s belief or behavior.

As architects, we should take a cue from this author’s “gem”.

For example, the way many architects spec Read more

Many of the materials that we use in architecture today are rather static. For this reason, some buildings and even cities suffer. Venice, for instance, is sinking. The good news; however, is that people like Rachel Armstrong are coming up with new and innovative solutions — like architecture constructed from living systems.

Armstrong is working on metabolic materials for architecture. She is in the process of uncovering how nature operates so that, as architects, we can begin to solve design problems from the bottom-up. Instead of imposing structure upon matter (which she claims is the old approach), we can begin to use materials that actually can grow, self repair, and respond to environmental changes.

By studying such living systems, like cells, Rachel Armstrong is finding answers so that we can use metabolic materials within our built forms. She notes that, in the future, people will not be able to tell whether certain built forms have been Read more

When you design an architectural space, are you concerned with how you might push or pull your occupant while they travel through it? What about when they are standing still? Your occupant’s frame of reference serves to balance them — and you, as the architect, can really play upon this factor.

In essence, you are creating a “shopping experience” for your occupant, and this can apply to more that just retail type architecture. Just as shoppers walk quickly, take their time, stop to browse or stop to rest…your architecture needs to provide good opportunities for your occupants to speed up or slow down.

Like in the painting Four-Way Intersection (above), people can be asked to show different amounts of energy at different points in our designs. Just imagine walking along the sidewalks in the painting — it’s a good thing that there is an intersection providing not only a resting point, but also a chance to regain that frame of balance and reference.

Negotiate Your Occupant’s Efforts

Occupants go through your building spaces and often this takes energy — physically, mentally and even emotionally. So, let me ask you this: What does your design do with their energy? Does it use it efficiently, creatively or do you simply waste it.

Imagine an occupant traveling through a museum design. Will it work better to save the best for last? Or should the important design moments be revealed to them along their journey — in “bite-sized” pieces?

Really, it is all a negotiation, where you must balance their attention, their physical energy and their emotional state.

The IKEA Experience

The store IKEA does an interesting job regarding what I’m talking about. Here is a breakdown of a customer’s experience at IKEA in the United States: Read more

As an architect, you probably spend much of your time designing and preparing for programmatic functions and the aesthetic beauty to be experienced by future building occupants. But, did you know that your design ultimately is “interpreted” into what is frequently called the “mind’s eye”? Simply stated, this is a mental map that is said to be responsible for your own personal view-point and how you perceive the world.

The process behind the mental map is very important for you, as an architect, to understand — or at least be aware of. You see, your occupants accumulate information about places and then visualize this information to help with memory and learning. In effect, such spatial information is collected from all kinds of sources, and such sources influence Read more

How do you design the peak of your building? That moment when your building meets the sky? When it reaches the sky, what perspective do passer-bys experience? Are they awed? Do they look again? Or are they just upset because they strained their neck for nothing?

Looking Up at Your Design…From the Drawing Board

It might be interesting as an architect to consciously design so approaching occupants look up at a certain moment. Perhaps what you do with the sky becomes equally as important as what you do with the ground.

To help illustrate this point is Lisa Rienemann. She actually created a font (see it here) by taking photographs of buildings as they pierce the sky. Looking up, she found that exact moment where Read more

It’s hard to find a quiet place on earth anymore. Human-caused noise seems to be everywhere, and that’s because it is. (1) Our living environments are “soundscapes”, and “noise” quickly becomes a relative term.

Yes, your architecture greatly contributes to the “soundscape” that people experience. Sound within your building is greatly linked with functions going on within it, but what about the design of sounds that you purposefully inject and mold into your project?

WATCH OUT… SOUND CAN BECOME NOISE

For architects, it is common to be concerned with the elimination of sound, otherwise referred to as noise. Some hospitals are filled with noise that keep patients from sleeping “soundly” (pun intended) and some schools are bombarded by urban noise that interferes with learning.

For some, these are just manifestations of modern living — where there is a fine line between sound and noise depending on who and when is listening. For architects, closer attention should be given to this phenomenon.

TAKE CONTROL…DESIGN A SOUND SPECTRUM

As you design architectural complexes ranging from an urban master plan to an individual building project, you need to keep both sound and noise Read more

DISCOVER DESIGN CONNECTIONS

Some buildings are a pleasure to be in, while others feel terrible. So, why do some spaces feel better than others?

Down to the neuro level, building design affects occupants. Research in the neuroscience field is uncovering not just how building design works, but also why, when and where it works. This helps architects to better understand how certain features, like light for instance, might impact occupant physiology, thought, behavior — and mood.

Such findings can help you form connections to improve your designs for your occupants.

EXAMINE OCCUPANT RESPONSE

“Because of advances in neuroscience, we can begin measuring the effects of the environment at a finer level of detail than we have before,” U.C.S.D.’s Edelstein says. “We can understand the environment better, we can understand our responses better, and we can correlate them to the outcomes. I just get chills when I think about it.” (1)

Characteristics like nature, light, carpeting and ceiling height all have qualities that can be fine tuned within a design — to arouse certain Read more

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THE FUTURE OF ARCHITECTURE WITH NANOTECHNOLOGY

I really enjoyed watching this video and thought it would be a great way to show you how architects can design with the emergence of nanotechnology. The future of architecture is in development today – and such architects like John M. Johansen are creating unique perspectives on how we will fuse new technologies with build form.

This video brings up a few very important points about what nanoarchitecture can bring. Here are some key ideas that I can see already developing… Read more