Image: R. Butler | Flickr

Along with many other innovations that are surfacing today, the Responsive Environments Group at MIT is working on a prototype that, if successful, may make the light switch a thing of the past. (1)

Their new lighting technology will be responsive by being able to adjust both lighting intensity and color balance to the specific activities that are going on within an architectural space — it would work by being able to monitor the light reading wherever a user happens to put the sensors. So for example, if you place the light sensor within the space where you usually only need task lighting, then the light will adjust accordingly, making sure that you have enough light either from natural daylight, the responsive lighting solution or some combined ratio both. (1)

While this responsive lighting innovation may sound somewhat simple in principle, it does take an interesting step toward providing a tool for greater adaptive design approaches. There are so many parts within buildings today that are static, being made to function in almost binary terms, with only “on” or “off” choices — beyond lighting, think of how static building surfaces often are: including wall surface materials, window configurations and even floor and ceiling installations.

The Power of Transience within Your Design

I think that we are in an age where the onset of new adaptive design technologies will help spaces evolve to include more dynamic and fluid behaviors — which will help to make architecture more malleable, versatile and responsive to occupant needs. The key is to move beyond only having a technology radiate stimuli the way a song might sound on a piano if only played with one note.

Instead, architectural technology should be a tool with which, you as an architect, use “responsive gradation” — making the stimuli which your building occupants perceive sound like a beautiful song played on a piano using the full range of notes played at different times, for different lengths, for different intensities and in different combinations — to be most appreciated by your building occupants within the areas that they carry out their most sensitive activities.

So, as an architect, pay attention to where your occupants carry out their activities, look at the way in which they behave and the characteristics of their environment that impact them through their senses in meaningful ways. Then think about how gradation can step in, to give them more than choice, to additionally give them a freedom by which they can enjoy their environments in their entirety, adjusting to their personal preferences and needs — whether they be one thing on a Monday and something entirely different by Friday.

The beauty of pushing toward “responsive gradations” within an architectural environment, is the lessening dependency upon a typical “default” way of thinking, and thus, designing. The advantage is the move from a one-size-fits-all (throw in some lighting) approach to a more thoughtful and strategic spectral arrangement where environments become more attuned to the things that are going on within them.

Please Tell Me What You Think

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(1) Intelligent, Adaptive Lights Reduce Energy Use by 90 Percent. Good. November 19, 2010.

© 2008-2011 Sensing Architecture by Maria Lorena Lehman

Image: sergis blog | Flickr

The Digital Water Pavilion in Zaragoza, Spain dismissed the notion of using glass for the boundaries which mark the “separation” between the interior and the exterior. To make it even more interesting, this pavilion drops a sheet of water around its perimeter in a curtain-like fashion, but when it senses the movement and approach of a body that wishes to enter — it uses sensors to stop releasing water so as to create a portal through which a person can gain entrance into the pavilion. Yes, an early form of fluidity in action.

Carlo Ratti, the Digital Water Pavilion’s architect, uses choreography and “sensing” to bring the notions of entrance, boundary and threshold into new realms — and much of this is achieved by taking advantage of a very common material…water. He does this by creating an architectural space that takes a step toward what I call a “fluid-bridging effect”.

The Fluid-Bridging Effect

Much like a simple window screen that keeps certain elements out (insects), allows certain elements in (wind) and unveils a portal from the opposite site (for viewing), the water in Ratti’s Pavilion design gives life to a “moving wall” which bridges the exterior and interior in a real-time transient manner.

This “fluid bridge” unites these two worlds at different times and in different locations giving access, entry and view all triggered and sustained by motion. In this case, motion creates a void to allow for a fluid bridge. In other words, a connection that is in motion.

Fluidity and sensing go hand in hand for the architecture of tomorrow. In fact, you already have the tools to put these in effect today. I challenge you to look at the simple materials we all take for granted. Turn the way they work and what they are aimed to do upside-down.

Be conscious of their limitations and then imagine what would happen if a particular limitation didn’t exist. What would it allow you to achieve? Furthermore, what if you could merge two materials and then adjust the percentage of which material properties carry through to the hybrid? What would this new hybrid material allow your occupants to do? What would it allow your building to do?

Simply think beyond boundaries, and then create new ones.

Please Tell Me What You Think

I would really like to get your feedback on my post today, so please leave me a comment in the form below. And if you enjoyed it, make sure you share it with your Twitter followers by “tweeting” it using the re-tweet button on this page.

© 2008-2011 Sensing Architecture by Maria Lorena Lehman

Image: jericho1ne | Flickr

Augmented reality and other virtual digital displays can revolutionize they way we interact within architectural spaces. When sitting in your office, experiencing a museum or simply learning in school, occupants already use digital media to carry out even the most basic of tasks. Just imagine what the evolution of augmented reality can do.

For starters, we can now see the beginning to how buildings can evolve internal “nervous systems”. Designers are beginning to think of “connections” in whole new ways.

Not only can spaces become less “local”, they can gain even greater dimension as real-time information gets processed through the building to provide visitors with a broader sense of where they are and what they can do.

YOU ARE THE BAROMETER

Similar to the glass evolution in architecture, real-time virtual “models” of information are making space less limited. Space is gaining transient abilities. It is becoming less static and more in tune with what its occupants really need and want.

Architects will need to act as the barometer for these augmented reality spaces — so virtual information can integrate and work with architectural form.

The key is to bring all of these emerging technologies back to the essence of human comfort: health, safety, happiness, productivity and so on. Without targeting the most basic of human needs, everything else could fall by the wayside.

© 2008-2011 Sensing Architecture by Maria Lorena Lehman