I recently read an article by Seth Godin who describes a very powerful writing technique where an author takes a popular and widely used cliché, points it out in his or her work and then writes about its exact opposite. When done cleverly this can produce a very powerful result whether an author is trying to stir humor, thought, emotion or even trying to change a reader’s belief or behavior.

As architects, we should take a cue from this author’s “gem”.

For example, the way many architects spec Read more

What can flexibility do for you?

Let’s exaggerate for a moment and see if we can make what is flexible, even more flexible. The goal is to get you to push some design boundaries and of course, to use the idea of “flexible design” to get your architecture to that “cutting-edge”.

Of course, there is a find line between extreme flexibility and that ultimate point where something just breaks. But for now, let’s take a look at the following list which I’ve put together to get you thinking about how you can take full advantage of flexibility for your future designs.

The aim here is to design architecture that is both technologically, scientifically and aesthetically advanced, but to do this in a most humane and occupant-centered manner.

To get started, try asking yourself the following four questions and see if you can “strip away” what you take for granted to bring an innovative edge to your work: Read more

When You Think of “Skin”…What’s the First Thing You Think Of?

Have you ever compared building skin to human skin? Well, with new developments like nanotechnology, smart materials and ubiquitous computing the time is ripe to revisit the inner-workings of the human body’s largest organ. After all, there is much to learn by taking a closer look at what lies beneath its surface — particularly as it relates to architecture.

What do you typically think of when you think of “building skin”? Does it primarily function to keep the exterior outside and the interior inside? Or do you use it to bring the outside in within certain parts like windows, ducts and doors? Perhaps you have a more avant-garde way of working with “skin” — using it as part of your architectural language that allows your building to communicate with both its interior and exterior at the same time.

Wherever you may be in your ideas and way of designing building skin, I’m sure that the human skin can help to reinforce and spark new ideas for your architectural designs. You might be surprised to discover that there are many similarities between these two “skins”, and in essence, they are both there to protect and to communicate.

Can Human Skin Inspire Your Designs?

For starters, I want to show you this simple video that clearly shows how the human skin operates physiologically. Now is a good time to watch this sneak peek:

Notice any similarities between what human skin needs to do and Read more

Today, the spectrum between a part and its subparts can be vast and rather static, yet already, there are prototypes for architectural systems that can adapt to triggers to self-perpetuate their own form — and blur the boundaries between where their sub-parts begin and end. Such is the character of adaptive design.

As adaptive architecture evolves, systems will become more seamless and their behaviors will stream more fluidly. The idea of nesting, fusing and embedding behaviors into a design’s systems and sub-systems will require that you consider the in-between states of your form — slowing down real-time behavioral movements and speeding up that which appears to be standing still.

Of course, if you don’t have it already, this all will require a mindset shift from you, the designer; thus, calling upon you to think of Read more

As new emerging technologies surface, the idea of “transition” will take on entirely new form. Not only will “transition” continue to exist between building materials (like you see in buildings today), but “transition” will also be present within a material’s properties — changing the very nature of how a particular material behaves at any given time.

For instance, smart materials will be able to change in real time as certain variables like temperature, light or stress trigger them. Similarly, new sensing technologies will come together to yield smart environments where ubiquitous computing is tuned to give occupants a more personalized experience.

Furthermore, as nanotechnology and biomimetic systems rise into the forefront, you as an architect will need to consistently rethink how building materials typically function — by building for them from the bottom up.

The “rules” behind designing for material behavior are changing and new smart material systems will give you a new kind of flexibility which you can optimize by taking both function and form to entirely new levels.

A key to doing this is to rethink your notion of Read more

An amazing new prototype called Siftables, developed at the MIT media Lab, merges the worlds of digital media and physical interfaces. The main idea behind them is to get virtual information into your hands (literally) by using a “block-like” natural interface that transcends beyond our prototypical mouse and keyboards. Siftables are designed to be more in tune with the way we actually navigate through the world.

Each Siftable is about the size of a “cookie” that works and feels like you are, in fact, playing with toy blocks. Each block can sense the others as they are moved around and tilted by their user. Essentially, this allows for a type of collaboration between the Siftables so they can work individually and together within their group’s system.

To see Siftables for yourself, simply watch the following video and imagine how Read more

Can Desire Influence What You and Your Occupant See?

This interesting experiment might just give you, as an architect, some understanding of how you and your occupants perceive “distance” — and why this aspect of spatial reasoning might vary from person to person; thus, influencing how people perceive your built work:

Here is a Sneak Peak at What the Experiment Revealed

In an interesting experiment, researchers engaged in a series of investigations to see if they could tell whether desire has a consequential effect over a person’s ability to perceive distance. In one of a series of experiments, the researchers put a coupon on the floor and asked participants to throw a beanbag that should land on top of the coupon on the floor in front of them.

Prior to throwing their beanbag, half of the participants were told that the voucher was worth $25, while the other half of the participants were told that it was worthless. Amazingly, the half of the participants that believed the coupon was worth $25 didn’t throw their beanbag far enough. Their throws always came up short.

The resulting explanation for this, as the researchers explained, is that the participants who thought the coupon was valuable actually believed that it was closer to them than it actually was. (The participants who thought the coupon was worthless estimated that it was further away.)

To see the original article, click [here].

Is Distance in the Eye of the Beholder?

As you design a building, you are constantly thinking in terms of distance. It factors into a multitude of the design decisions you make everyday. And once your design is built, your occupants must also think in terms of distance as they travel around and through your building, from feature to feature, from space to space and from experience to experience.

So, how do you incorporate distance as you design? And how do you make sure that what you envisioned when designing, translates well for your occupants once Read more

Unleashing Necessity and Your Ingenuity

The need to build green skins that are able to harness energy gives architects incentive to find new ways to use and guide emerging technologies. Essentially, it is necessity coupled with ingenuity that can often spark the best design innovation.

As an architect, it will help you to think about building skin and all of its possibilities in totally new and fresh ways. Instead of using building skin to “shield” or “expose” building occupants to the external environment, think of how building skin can act as a live filter that “flexes” its own boundaries in dynamic ways. As an exercise to get you thinking along these lines try asking yourself the following three questions to get you started:

1. On Selectivity: How can I connect my occupant with nature in completely new ways? Instead of thinking of skin as a barrier, how can I think of it as a dynamic filter — how could I separate different light, air quality or sound properties so the exterior can enhance interior spaces? How many exterior/interior “hybrids” can I think of?
2. On Preconceptions: What qualities of nature do I presently take for granted as a designer? Can I “capture” a particular aspect of nature that is usually “invisible”? How can I “feed” my occupants through a building’skin to let them “touch” it in new ways? (For instance, a clever positioning and use of smart glass.)
3. On Transience: What could my building do if my building skin could change in real-time? Could “windows” move and flex in new ways? Could they magnify or minimize certain qualities of nature? What new “between-states” could I create to bridge interior and exterior environments?

With the advent and evolution of nanotechnology, there will be many new developments for architectural buildings — particularly when it comes to building skins. Already there are newfound ideas on the drawing boards showing how certain nanotechnology integrations could work.

Harnessing the Power of Sun and Wind

One example of this is seen in the Concept Tower designed by Agustin Otegui. Within this tower’s skin, Otegui uses Nano Vent-Skin (NVS) as a way to extract energy from both the sun and wind. Using a system of “sensors, organic photovoltaics and micro-wind turbines”, the Concept Tower’s skin would be able to self repair through a self assembly process.

In the following images you can see, conceptually, how this design would work: Read more

Can Music Increase Your Potential?

What role does music play in your work as an architect? Do you listen to it while you design? Or do you incorporate it into your architectural designs, for your occupants?

In an article recently published by The Boston Globe, Carolyn Y. Johnson writes about a surgeon who listens to music while he operates. Also, he is conducting various studies to really understand what effect music has on both doctors and patients. In addition to improving the results of surgery, he thinks music might also be used for other types of medical treatments. (1)

For example, while listening to Mozart, patients needed less sedation, had “reduced stress hormone levels and had lower blood pressure(s) and heart rate(s)” than those that heard nothing. Similarly, Mozart proved to be quite a success when measuring the performance of surgeons. Their accuracy was notably improved. (1)

Architects Take “Note”

This type of research will provide great information for architects to utilize for their work. Both in architectural offices and within architectural schools, you will most likely find Read more

To create great buildings, one needs to maintain passion, focus and drive. A critical component to all three of these is inspiration. As you engage in the day-to-day aspects of your work, what keeps you inspired? What keeps you wanting to make your next design even better than your last? And how do you carry this through your entire career?

Inspiration is a key ingredient to keeping your work fresh and yourself refreshed. For this reason, I have put together the following list of unique ways for you, as an architect, to stay inspired.

1. Read A Lot: The more knowledge you can get from other thinkers and innovators (in other fields), the better. Doing this, you will probably find some new ways to approach complex problems, break them down and come up with sophisticated and practical design solutions.
2. Bend Boundaries: Set creative boundaries for yourself when you are facing a challenging design issue or problem. By exaggerating or minimizing boundaries that you are used to, it will force you to think about your design dilemma in new ways. For instance, give yourself a small allotted amount of time in which to “solve” a design issue. Or, pretend that you have three times the budget than you actually have. This might just free your mind, getting you to think of a totally different way of solving your original problem.
3. Streamline your Organization: Become an active thinker. During or after visiting a site, another great building, reading a magazine or even having a discussion with a fellow architect , make it a habit to record the most important thoughts that will spark your future action(s). Organizing your ideas will result in better ways for you to create new ones. Organization actually can spark creativity and innovation.
4. Switch Your Perspective: While working on the day-to-day details that surface for specific building projects, don’t forget to take that eagle-eyed view. Think of how Norman Foster or Zaha Hadid would approach your design problem. Or think of what a good architectural critic might say about your design challenge.
5. Get Out More: Although having a consistent design setting (like your office) is very conducive to being creative, so too is changing your scenery. Try thinking about a design problem in a totally different place. Go see a great architectural lecture. Or go have a brainstorming session with your colleague in a new setting.
6. Remember Your Colleagues: Don’t forget about the people around you. They can help you stay inspired too. Coming up with new ways to communicate with your colleagues to generate creative ideas can be quite motivational.
7. Set Your Goals: Don’t lose sight of your goals, whatever they may be. Be sure to revisit them often — both so your time is spent working toward them and so that you remember why you are doing what you do. One of the keys to maintaining inspiration, is also to reward yourself. After you reach certain goals be sure to enjoy them, take a break and then use that energy to renewing your momentum.

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