Image: jurvetson | Flickr

With the uprising of more technologies that seem to track everything from sleep, to diet, to other behavioral patterns, environmental design is becoming more of an important player in helping to collect such clues that consequentially help make a person’s life better. Such clues reveal patterns that can be used to determine where, when, and how a person might make adjustments in their life to improve issues like their health, productivity, memory, creativity, or even to help them engage in more socially-conscious behaviors, like green living.

So, the key here for you as an architect is to understand how patterns are inherent to how your designed spaces get used — and such patterns, upon their collection, can help you to design better for your building occupant, and can help your building to adapt in real-time to your occupants’ everchanging needs, as they need them. Especially, the more subtle ones that make a big difference.

I’m sure you’ve already begun to see Read more

Video Summary

In the video today, I delve into various ways architectural design speaks to its occupants as it inherently provides “choice”. And as an architect, you hold the key as you design such architectural elements, which all affect your occupant in a multitude of ways. For instance, many of these elements either compete with each other, or work with each other, as they offer incentives (or deterrents) that may influence your occupant’s decision-making as they travel through your building design.

Follow along as I show you, through simple diagrammatic form, how you are inevitably filling your design spaces with choices — affecting the daily lives of your occupants in so many ways. As you will see, one of the lessons to be learned here is that you should be aware of what you offer to your occupants through your building designs, for they may very well choose (and do) what you offer.

Video Transcript

00:08 Maria Lorena Lehman: This is Maria Lorena Lehman with SensingArchitecture.com. In today’s video, I’m going to explore how architectural design affects occupant choice and what exactly that means for your occupants. Because hopefully as you design architecture for your occupants, you aren’t just simply trying to meet a list of programmatic requirements and trying to insert those programmatic requirements and spatial functions into allotted spaces, without giving some serious consideration into the relationships between those programmatic elements. Because each of them speaks with one another as your occupant travels through those spaces and travels from one to the other.

00:58 MLL: So, as you can see in this diagram below, we have a diagrammatic elevator here, a stairwell here, and just a simple hallway leading outward, followed by a larger Read more

Video Summary

In today’s video, I explore how a patient room within a hospital can be designed as a narrative made up of a patient’s behaviors. By being able to orchestrate room elements within a hospital design’s patient room, you as an architect can bring building elements to foster healing by tapping into both the patient’s cognitive and behavioral processes.

As you watch this video, think of how you might tap into the resources with such a room, so that they coordinate with one another — yielding elements that are much more aesthetic, comfortable and effective — as they pull from each others strengths.

Video Transcript

00:10 Maria Lorena Lehman: This is Maria Lorena Lehman with SensingArchitecture.com. In this video, I’m going to talk about occupant experience, specifically looking at healthcare architecture and a recovery room for a patient, so the patient will be our occupant in this example. As you can see here, I’ve already drawn a very, very rough diagram of a typical patient room that you might typically see. In this upper hand corner, left-hand corner, might be a restroom area. Over here in the upper right hand corner might be a Read more

The sign on the door doesn't look good, pushing heavy doors doesn't feel good, and both can leave a negative impression upon your building occupants.
Image: gruntzooki | Flickr

The other night as I was approaching (to enter) a restaurant, a group of people happened to be exiting. And as they were making their way through the main doors, one of them exclaimed (with a lot of passion in her voice), “we had to eat a lot of food to be able to push these doors open” — the doors were just “so heavy“.

As it became my turn to enter, it also became my turn to hold the door and I quickly discovered just how right she was in her observation.

While this was a good restaurant…There were some lessons to be learned here.

As an architect you must make a concerted effort to go beyond the visual and aural senses — for, in the restaurant design that I recently experienced, it would have helped immensely if the designers had made their entrance/exit “gateway” feature more than just look good…because despite their best efforts to do this, once occupants interacted with the doors, their negative perceptions reflected badly upon the restaurant and their dining experience.

So much of architecture is a touch-based and tactile experience. Just think of how many times your occupants “touch” something (architectural details) while experiencing your building design.

It may help to actually walk yourself through their journey, while paying particular attention to what their sensorial journey will be like. For instance, what do they Read more

Image: R. Butler | Flickr

Along with many other innovations that are surfacing today, the Responsive Environments Group at MIT is working on a prototype that, if successful, may make the light switch a thing of the past. (1)

Their new lighting technology will be responsive by being able to adjust both lighting intensity and color balance to the specific activities that are going on within an architectural space — it would work by being able to monitor the light reading wherever a user happens to put the sensors. So for example, if you place the light sensor within the space where you usually only need task lighting, then the light will adjust accordingly, making sure that you have enough light either from natural daylight, the responsive lighting solution or some combined ratio both. (1)

While this responsive lighting innovation may sound somewhat simple in principle, it does take an interesting step toward providing a tool for greater adaptive design approaches. There are so many parts within buildings today that are static, being made to function in almost binary terms, with only “on” or “off” choices — beyond lighting, think of how static building surfaces often are: including wall surface materials, window configurations and even floor and ceiling installations.

The Power of Transience within Your Design

I think that we are in an age where the onset of new adaptive design technologies will help spaces evolve to include more dynamic and fluid behaviors — which will help to make architecture more Read more

Image: D'Arcy Norman | Flickr

Architects often look at where their occupants travel within their building, what makes them decide to go wherever they are going, and what behaviors they engage in once they arrive. But what actually happens to building occupants as they move through your building? Does the speed at which they move through your building have impact on their experiences while they are there? And upon how those experiences are remembered?

In a recent research article published by Science Daily, it was cited that the Society for Neuroscience studied and found evidence that “activity in rats’ memory-related brain areas varies with how quickly they move to explore their environments”. (1) So, for our purposes, we can begin to deduce that the speed at which a subject moves, can alter their memory of the setting within which they moved. (1)

Here is a slightly more detailed description of why this happens in the first place:

“They found that the pathway associated with storing and consolidating memories was most active when the animals moved slowly. At faster speeds, the balance shifted from these circuits to circuits bringing in info from the outside world.” (1)

Speeding Your Occupants Up Versus Slowing Them Down

So, within your own building projects, how might you go about designing for the way in which your occupants move? And what about your design solutions might benefit them as they engage in their real-time activities within your building?

First, you must ask yourself how you would go about slowing them down versus speeding them up as they travel to and fro within your built environment. For instance, might putting in a sloping floor impact their Read more

Image: o palsson | Flickr

Often in architectural design (and as with any business) there is a wide variety of modeling, testing, and planning to ensure that the final project (or product) will make its way into the real world with great success. As architects, I know that there are a wide variety of things we do to help us visualize our built environments for clients — where we pull from our own internal talents and resources, combine them with the latest know-how and efforts of our design team and consultants, and then proceed to get them accepted by all kinds of review boards, committees and so on. But — have you ever done a quality control design test of your building after it’s built? If so, how do you do it? And what do you do with the results?

Do you ever ask yourself — How much testing and surveying do we really do as architects once our building is built? What do we do after it is constructed? Do we merely check in on it in a general manner and use it for marketing opportunities?… Or, do we examine what our design team has created?

I say all of this because I think it is important to have a relationship and connection with your designed buildings after they are built. Wouldn’t it be nice to be a “fly on a wall” so you could get a sneak peak at exactly how your building occupants use your spaces, interact with them, behave within them and so on?

Why Running a Design Test Is so Important, And How You Can Start to Do It

Of course, if something about your building really fails, I am pretty sure you hear about it in no time flat. However, there are ways for you take the time to really observe the nuances to what you have built for your occupants. For instance, it is important to really listen and watch the way the people within your buildings use your designs. You will immediately begin to see the things that work and the things that do not, but even more amazingly your design test observations will lead to realizations and then into Read more

Image: laurenatclemson | Flickr

If by chance you watched the 2010 Academy Awards you may have noticed that the “Animated Short” category was won by the film called Logorama, directed by the French animation collective H5. This interesting film, like so many others, has actually proven to be a bit controversial. But I do think one thing remains clear — so many of our environments are “branded” in many ways and at many levels.

In Logorama, the entire animated environment is made up of logos, brands and slogans to depict an entire world with much of the complexity of ours. To give you a better idea of what I’m talking about…the following is a short trailer to give you a quick glimpse at the world of branding which Logorama creates:

What Logorama Will Help You to Ask Yourself

From an architectural point of view, this animated short film brings up some old and new questions regarding architecture, “signage” and branding — whether it be stylistic branding or more additive branding. For instance, how might your building be perceived, after all of the hard work you put into designing it, when a well-known “brand” it added to your building by way of signage, corporate cultural identity or even by its proximity to another built form with a strong “branded” identity?

The latter are some interesting questions, but first, you may need to ask this — Is branding and architecture really a bad combination? I mean, to some extent everything might be “branded” — as if branding is inherently woven into all designs in our built environment. Is perhaps “branding” something that we humans do as we perceive Read more

Image: Ben Chau | Flickr

Throughout your architectural design process it is often the case that you need different tools at different points in time as you design. While some tools help you to visualize what goes on during your personalized architecture process, others help you to visualize what will go on within your final building design. So, what happens when these two worlds start to merge? Will your design visualizations be as immersive as the actual methods you use to communicate your designs to clients and other team members?

At different phases during your design process you explore different things. You engage in different levels of refinement and you solve an array of problems and questions that all have project-wide consequences and effects. You probably use a combination of both digital media information visualizations and 3D modeling methods. In fact, many architects today are delving into 4D information modeling techniques involving BIM leading-edge tools.

Whatever the case, it is paramount that your digital media design tools help to streamline your own architecture process. And a key to this is to make sure these tools are intuitive and promote creative thinking.

Digital Media Tools that Dig into the Minds of Your Occupants

Design project tools that reduce redundancy, error and cost during your architectural design process can go a long way toward increasing the quality and reducing the cost of your building — while also increasing the actual speed with which you can design. But there are a few things that come to mind when questioning how these tools can evolve, to get even better.

What if your architectural design tool could also help you extract Read more

Image: Eduardo Deboni | Flickr

Yes, findings stemming from the worlds of science and technology are painting a new era that we are already beginning.

When cutting-edge paradigm-shifts occur, like new perspectives on nature that make methods like Biomimicry and BioDigital Architecture possible, I still wonder how these, combined with other factors like culture, globalization, personal preferences, lifestyle trends and geographic land characteristics will impact what we, as architectural visionaries, paint for the future.

Well, the future is happening now and as different cultures help to mold, embrace and even reject what design visionaries bring forward, I find it fascinating to uncover how Read more