I am intrigued by this quote about modular design:

“A downside to modularity (and this depends on the extent of modularity) is that modular systems are not optimized for performance. This is usually due to the cost of putting up interfaces between modules.” (Wikipedia source here)

At first glance, modularity can give you ways to expand, re-locate or even provide for more mass customization opportunities within your work. And in some cases, modules can have such distinct characteristics that they actually serve to “brand” your work — if done well, this can be a good thing.

Yet, there is so much missed opportunity when it comes to the module. Instead of always trying to …[Read Full Article]…

I recently read an article by Seth Godin who describes a very powerful writing technique where an author takes a popular and widely used cliché, points it out in his or her work and then writes about its exact opposite. When done cleverly this can produce a very powerful result whether an author is trying to stir humor, thought, emotion or even trying to change a reader’s belief or behavior.

As architects, we should take a cue from this author’s “gem”.

For example, the way many architects spec …[Read Full Article]…

What can flexibility do for you?

Let’s exaggerate for a moment and see if we can make what is flexible, even more flexible. The goal is to get you to push some design boundaries and of course, to use the idea of “flexible design” to get your architecture to that “cutting-edge”.

Of course, there is a find line between extreme flexibility and that ultimate point where something just breaks. But for now, let’s take a look at the following list which I’ve put together to get you thinking about how you can take full advantage of flexibility for your future designs.

The aim here is to design architecture that is both technologically, scientifically and aesthetically advanced, but to do this in a most humane and occupant-centered manner.

To get started, try asking yourself the following four questions and see if you can “strip away” what you take for granted to bring an innovative edge to your work: …[Read Full Article]…

As new emerging technologies surface, the idea of “transition” will take on entirely new form. Not only will “transition” continue to exist between building materials (like you see in buildings today), but “transition” will also be present within a material’s properties — changing the very nature of how a particular material behaves at any given time.

For instance, smart materials will be able to change in real time as certain variables like temperature, light or stress trigger them. Similarly, new sensing technologies will come together to yield smart environments where ubiquitous computing is tuned to give occupants a more personalized experience.

Furthermore, as nanotechnology and biomimetic systems rise into the forefront, you as an architect will need to consistently rethink how building materials typically function — by building for them from the bottom up.

The “rules” behind designing for material behavior are changing and new smart material systems will give you a new kind of flexibility which you can optimize by taking both function and form to entirely new levels.

A key to doing this is to rethink your notion of …[Read Full Article]…

Can Music Increase Your Potential?

What role does music play in your work as an architect? Do you listen to it while you design? Or do you incorporate it into your architectural designs, for your occupants?

In an article recently published by The Boston Globe, Carolyn Y. Johnson writes about a surgeon who listens to music while he operates. Also, he is conducting various studies to really understand what effect music has on both doctors and patients. In addition to improving the results of surgery, he thinks music might also be used for other types of medical treatments. (1)

For example, while listening to Mozart, patients needed less sedation, had “reduced stress hormone levels and had lower blood pressure(s) and heart rate(s)” than those that heard nothing. Similarly, Mozart proved to be quite a success when measuring the performance of surgeons. Their accuracy was notably improved. (1)

Architects Take “Note”

This type of research will provide great information for architects to utilize for their work. Both in architectural offices and within architectural schools, you will most likely find …[Read Full Article]…

What Should People Do When They Wait?

How do you design for the function of waiting? Do your building occupants ever really wait? Typically, they move from one activity to another, but it is equally important to also design for those in-between moments. What happens during those “between” moments can really impact an occupant’s experience; thus, as a designer, you can make what goes on inside a waiting room a great experience.

Take hospitals, for instance. Once a patient has gone through the initial phase of “checking in”, then begins the often long and frequently boring wait. Unfortunately, many hospital designs don’t place an emphasis on providing for an optimal waiting area — and that is really a missed opportunity.

Just think of the things that could be accomplished and provided for patients, if only architects would give some serious thought to what patients actually need during this time. For example, within a hospital waiting room, patients could get views of nature or be surrounded by calming colors and pleasing sounds — thus, soothing patient anxiety and stress.

Another tactic that would help patients endure those long “waiting periods” involves giving thought to the arrangement and ergonomics of where they sit. Comfort while waiting is key, particularly for hospital patients who might be in a great deal of pain.

I have noticed that many waiting rooms incorporate …[Read Full Article]…

When you design an architectural space, are you concerned with how you might push or pull your occupant while they travel through it? What about when they are standing still? Your occupant’s frame of reference serves to balance them — and you, as the architect, can really play upon this factor.

In essence, you are creating a “shopping experience” for your occupant, and this can apply to more that just retail type architecture. Just as shoppers walk quickly, take their time, stop to browse or stop to rest…your architecture needs to provide good opportunities for your occupants to speed up or slow down.

Like in the painting Four-Way Intersection (above), people can be asked to show different amounts of energy at different points in our designs. Just imagine walking along the sidewalks in the painting — it’s a good thing that there is an intersection providing not only a resting point, but also a chance to regain that frame of balance and reference.

Negotiate Your Occupant’s Efforts

Occupants go through your building spaces and often this takes energy — physically, mentally and even emotionally. So, let me ask you this: What does your design do with their energy? Does it use it efficiently, creatively or do you simply waste it.

Imagine an occupant traveling through a museum design. Will it work better to save the best for last? Or should the important design moments be revealed to them along their journey — in “bite-sized” pieces?

Really, it is all a negotiation, where you must balance their attention, their physical energy and their emotional state.

The IKEA Experience

The store IKEA does an interesting job regarding what I’m talking about. Here is a breakdown of a customer’s experience at IKEA in the United States: …[Read Full Article]…

Great architecture exists as a rich conversation between critical parts. I know that is fairly basic — but when you start to consider all of the parts that go into a building it sometimes can become muddled as to which parts are most important and some may be forgotten all together.

Rich Balance for the Visually Impaired Occupant

I recently came across a great model by which to think about architectural design balance. Yes, balance is more that just a visual experience. So, to take this a step further lets explore what it would be like to achieve great architectural balance to best accommodate the visually impaired occupant.

By considering how to design for an occupant that puts less emphasis on the visual sense — it becomes clearer just how important balance is for good architectural design. In this example, there are three main parts that need to be in meaningful dialogue and, thus, balanced: they are aesthetic, function and economy. Now, by removing the visual aspect to our hypothetical design project, you as an architect, may begin to think of each in new ways: (1)

It is interesting that aesthetics for a visually impaired occupant may mean that you …[Read Full Article]…

Going to the theater is usually an invigorating experience. A good production definitely considers the orchestration of numerous stimuli…all in an effort to feed the senses. Similar to architecture, theater set design must work to create an experience with space, and often such theatrical experiences tap into so much more that just the visual sense.

For this reason, architects can learn a thing or two from good theater set design and performance.

Space Filled with Dynamic Moments

What goes into producing an entire theatrical experience rests upon more that just the actors. There is an entire environment that revolves around them — everything from the theater building itself to the often dynamic and jaw-dropping stage environments.

As architects we can learn a lot from film compilation, music composition and story narrative; but the subject of theatrical design and performance is often an underplayed topic. If you think about it…how often can you see a synthesis of …[Read Full Article]…

Experiencing an underground building can be quite different from the usual above-grade architectural building types that often take light for granted.

Underground, light becomes a high commodity.

Light can be sculpted like clay underground — it can be molded, filtered and juxtaposed. Play with light in subterranean buildings can serve to guide, prepare and surprise occupants experiencing the space.

In addition, it is always an interesting experience to exit an underground building — natural daylight always seems …[Read Full Article]…