Image: Oversocialized | Flickr

Image: Oversocialized | Flickr

As the World Wide Web and social media encourage more and more digital and virtual social interactions, will the role of the architectural building system have a new place in contributing to or detracting from the way we humans interact with each other? With so so many people now using social media, I think the answer is yes.

In an article I read recently called Is a Social Crash Coming, the notion of a “hyper-connectivity” surfaces along with its ramifications in terms of human touch — or the ability for people to engage in person-to-person interactions. As an architect, I think this is a very interesting topic, especially when thinking about the role architecture has had. As an example, think of the effect of the “agora” as a Greek gathering place…it changed the dynamic of how people interrelated and behaved.

As the World Wide Web and social media make us more “present” in the minds of so many more people than ever before, I think that architectural design will need to …[Read Full Article]…

Image: batintherain | Flickr

Image: batintherain | Flickr

Now that science is advancing in a way that impacts building innovation from an architecture material standpoint, you as an architect should look to bridge the gap between selecting materials and designing materials to be used in your building designs. After all, this is a great way to increase your design abilities by finding more tailored and bottom-up ways to meet the global push toward more sustainable, healthy and happier designs for your occupants. Needless to say, being able to give input into your design in such a refined and detailed way will also help you stay on the cutting-edge.

That is why very specialized consultants are now surfacing to help designers work together with scientists to innovate new material compositions to be used in all kinds of products. Just imagine if you as an architect could specify a very unique and personalized material as you are working on a particular aspect of your building.

If you stop to think about the possibilities here, you might begin to realize that you can create some very exciting effects by changing the qualities of many materials that we know today — think about giving the material of your choosing different colors, transparencies, temperatures, textures and so much more. In fact, if you look around, you will see signs that materials scientists are taking action — as can be evidenced in a recent article I read in SEED Magazine this month.

Designing Happy Spaces from the Bottom-Up: Material Composition

Specifically, the article entitled Living in a Material World, shows an entire library where new innovative material compositions are not only researched and cataloged, but are also judged for competitions. This, in turn, serves to inherently push the trend towards …[Read Full Article]…

Image:  it's life. | Flickr

Image: it's life. | Flickr

Why is it that truly innovative building design is practiced few and far between? Yes, many architects spend their energy building buildings, but few built architecture that uses the design of build environments to uplift lifestyle for their occupants. So, how can you as an architect push your buildings ahead, to break the mold and go beyond the status quo?

Do you find that you are at times stuck in a rut — using the same building materials, building after building, simply because you know they work? While it is by no means a bad thing to use materials that have proven to be successful in your designs, it can be rather limiting if you do not set your sights further ahead, perhaps to some new materials, new design methods or even design thinking that you have not yet explored.

Wouldn’t it be a sort of vicious circle if you wanted to design innovatively, yet did not because you are too afraid to pursue your innovative ideas (affiliate link) for fear that they will not work, cost too much, waste too much time or not be accepted by your clients? Such is the conundrum of innovative architecture — there is indeed risk when you pursue innovation, yet with proper testing, necessary resources and the proper mindset, it does become possible to minimize that risk so you can reap the …[Read Full Article]…

Image: FireChickenTA99 | Flickr

Image: FireChickenTA99 | Flickr

What happens when a building is both futuristic and visionary in its own time, but has its life cut short when it is demolished? Is the cost of maintaining such a building so great that it has to be destroyed? This is the topic of a new documentary called A Necessary Ruin: The Story of Buckminster Fuller and the Union Tank Car Dome.

The following is a trailer for this 30 minute documentary, which I think poses some interesting questions for us to consider when taking part in the demolition of building spaces. As you watch it, ask yourself how you would make a decision about whether to salvage, renovate, demolish or create a “memorial icon” of a building:

(Can’t see the video? Click here.)


When and How Would You “Pull the Plug” on a Building?

Let’s go back to this question about the making of a building icon. By definition an “icon” is a a sign or representation that stands for its object by virtue of a resemblance or analogy to it. (Definition here) Considering this, at what point does a building become more than a sum of its parts in the minds of a people? And what makes its iconic status live on through decades and even generations?

The fate of a building seems to lead toward its evolution as a ruin. Maintenance is economically costly, yet its demolition can bear an emotional or intellectual …[Read Full Article]…

Image: dbking | Flickr

Image: dbking | Flickr

In an underground building, what if the boundary to celebrate is as much the vertical one as it is the horizontal one? You may celebrate its “below-ness” by making connection with what is above your site’s grade in a not-so-typical way.

With a “sensing” design mindset, you can bridge the two worlds with much more than a dramatic entrance into or exit from the natural light. For example, you can use new lighting technologies.

In the image above, you can see how an LED lighting display at the National Gallery of Art makes use of the long underground corridor which connects the East and West Buildings illustrating that what happens below grade is not a place to be boring, but rather a place that presents you, the architect, with an environment maintaining different rules and different opportunities.

So, instead of always trying to replicate what happens above into what happens below, you should make use of the qualities that the underground brings: light differences, temperature differences, construction method differences, material differences and so on. Make what happens underground an experience to remember, not just an out-of-the-way appendage to your architectural project.

Please Tell Me What You Think

I would really like to get your feedback on my post today, so please leave me a comment in the form below. And if you enjoyed it, make sure you share it with your Twitter followers by “tweeting” it using the re-tweet button on this page.

image: TheNose | Flickr

Salk Institute
image: TheNose | Flickr

I often use the term “lifestyle design” when thinking about the design of architecture. By this, I mean that architecture holds within it a great power to uplift the way humans live their daily lives — and it is “lifestyle” which is directly connected to human health, happiness and spirit.

Although many factors must be considered, architecture is ultimately for the occupant. And it is up to the architect to provide real and meaningful value for them.

When you stop to think about all of the things that make up an occupant’s lifestyle, the list is quite overwhelming. In many ways, simply understanding what your occupant really needs is an art. Translating those needs into a wonderful design takes a lot of ingenuity and forethought.

Asking the Right Questions Will Guide You Toward the Right Solutions

What I challenge you to do is to take their needs, in all of their complexity, and solve for them by incorporating and targeting their lifestyle. How can you improve it? What do you need to change about it? What do they want to change? What do they love about it? And so on.

Hone your ability to ask the right questions. Know where to look for …[Read Full Article]…

Image:  Ethan Hein | Flickr

Diagram of red dot modules and lines of communication.
Image: Ethan Hein | Flickr

I am intrigued by this quote about modular design:

“A downside to modularity (and this depends on the extent of modularity) is that modular systems are not optimized for performance. This is usually due to the cost of putting up interfaces between modules.” (Wikipedia source here)

At first glance, modularity can give you ways to expand, re-locate or even provide for more mass customization opportunities within your work. And in some cases, modules can have such distinct characteristics that they actually serve to “brand” your work — if done well, this can be a good thing.

Yet, there is so much missed opportunity when it comes to the module. Instead of always trying to …[Read Full Article]…

One way to Juxtapose A Door/Corridor Cliché<br />Image:  Andy Miah | Flickr

One way to Juxtapose A Door/Corridor cliché
Image: Andy Miah | Flickr

I recently read an article by Seth Godin who describes a very powerful writing technique where an author takes a popular and widely used cliché, points it out in his or her work and then writes about its exact opposite. When done cleverly this can produce a very powerful result whether an author is trying to stir humor, thought, emotion or even trying to change a reader’s belief or behavior.

As architects, we should take a cue from this author’s “gem”.

For example, the way many architects spec …[Read Full Article]…

image: Manky Maxblack | Flikcr

image: Manky Maxblack | Flikcr

What can flexibility do for you?

Let’s exaggerate for a moment and see if we can make what is flexible, even more flexible. The goal is to get you to push some design boundaries and of course, to use the idea of “flexible design” to get your architecture to that “cutting-edge”.

Of course, there is a find line between extreme flexibility and that ultimate point where something just breaks. But for now, let’s take a look at the following list which I’ve put together to get you thinking about how you can take full advantage of flexibility for your future designs.

The aim here is to design architecture that is both technologically, scientifically and aesthetically advanced, but to do this in a most humane and occupant-centered manner.

To get started, try asking yourself the following four questions and see if you can “strip away” what you take for granted to bring an innovative edge to your work: …[Read Full Article]…

image: phoosh | Flickr

image: phoosh | Flickr

As new emerging technologies surface, the idea of “transition” will take on entirely new form. Not only will “transition” continue to exist between building materials (like you see in buildings today), but “transition” will also be present within a material’s properties — changing the very nature of how a particular material behaves at any given time.

For instance, smart materials will be able to change in real time as certain variables like temperature, light or stress trigger them. Similarly, new sensing technologies will come together to yield smart environments where ubiquitous computing is tuned to give occupants a more personalized experience.

Furthermore, as nanotechnology and biomimetic systems rise into the forefront, you as an architect will need to consistently rethink how building materials typically function — by building for them from the bottom up.

The “rules” behind designing for material behavior are changing and new smart material systems will give you a new kind of flexibility which you can optimize by taking both function and form to entirely new levels.

A key to doing this is to rethink your notion of …[Read Full Article]…